Dissectional Art: Issue One, Page One






		NUCLEAR MAN By R.E. Embuscado In the beginning, Nuclear Man treated life as a fragmented structure, thinking that there is not to be found an aesthetic view other than human chaos. He tried to inspire his life freely by the wisdom of modern purity, beauty and self-conscious tradition, because there was no order in it. It was a disguised movement where freedom was a symbol, too chaotic, too discriminating, and too singular in terms of infinite form or universal structure.			By R.E. Embuscado Dissectional science is not a religion; or, equally a combination of art and religion. Once again, it is not a fragmented thought interpreted by the illusionary effect of "universal" theories, and concept of modern synthesis. In contrast to this fixed-universal structure, as a whole, a different wholeness is found in dissectional-compartmental relationship. This type of science is not a vague-impression of modern life, which is formed in diverse levels of irregularity, and thought to be historically and scientifically indifferent or complicated by the tradition of newness. Because, dissectional light can be seen as a structure of compartment, a movement or behavior that falls along the line of life: living matter. The modern cosmologist has gone too far into their way of the dissemination of the false concept, that, the "universe" is born from the "Big Bang" explosion. Their theory, a striking resemblance between a complexity of particular vision and fantasies of a general theory, spatially confined by the planetary movement in singular motion, has been unfruitful. They had been able to invent a highpowered telescope, but they drew a universal parallel between myth and darkness. It is a parallel view of the world caught up in the chaos, which turns out to be related only to both fiction and darkness. The cosmologist theory, as a whole, get the earth in static position of singular infinity, parallel structure of repetition, ill-universal consciousness and disastrous comic mystery. Moreover, The works of the ancient-modern cosmologist proclaiming that the earth and other terrestrial planets has been steadily expanding, in contrast to the appearances of compartmental movement, is linked to the various theories of modern insignificance. They maintained that the Big Bang explosion had something to do with variable waves of energy levels; or with a high degree of hot gasses and radiation. In the process their view of outer and internal structural-deficiency of the solar system, set up by the sun's burst of energetic light and gravitational attraction to dark planets, has been far more concentrated in an intensive study of mathematical inexactitude and philosophical distinctions between unproven theory and a practice of errors that has long flourished in one sided darkly expansion of the "universe." LIVING-MATTER The size of a living-matter is possible to determine, for its spatial-dimension is related to a compartmental square. The first question about this matter, is what kind of energy it forms, and why it continue to flow until it reaches the earth's atmosphere? Living-matter enters the earth's atmosphere not to distance itself from each other, but to transform from one element to another, in the form of a cloud, and sum them up; however, the big breaks came when it did not get far enough to reach the shore or the land. In this vigorous pursuit of descending into the wilderness of dead-matter of the earth's magnetic field, instead of a luminous world in which life presents no duality, light and dark, seems to lurk in different proportion and other forms of negative life. Most of the earth's planetary neighbors has cooled in the darkly sense of the word, like the nighttime; it makes no attempt to banished from the outer-spatial dimension if the earth's atmosphere.


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